Futari no Kimochi volume 1

The official English title of Futari no Kimochi (ふたりの気持ち) is “Feeling of Lovers.” It’s an 8-volume romance manga by Takami Mako, who appears to specialize in relationships between younger men and older women.

Kan (18) is in love with his brother’s ex-wife Fuyumi (23). In order to be together they’ll have to overcome their age difference and the inevitable opposition from their families.

Like most romantic series, the conclusion was a given from the start. Of course they’re going to end up together, it’s just a matter of how. What I wanted to see was the romance would develop and how the author would handle this unusual premise. I didn’t bank on the plot crawling along at a snail’s pace or the characters being childish, petty and completely unlikeable. Kan gets a pass for being 18, but Fuyumi is even more spoiled, naive and empty-headed. They make a good (idiotic) couple, but not one worth reading about.

Nothing much happens in volume 1. Fuyumi and Kan reconnect 3 years after the former’s divorce. They start dating pretty much right away (Kan first kisses her in chapter 1!) and then they spend the rest of the book having silly misunderstandings and petty little fights. “OMG he’s talking to another girl/she’s talking to another guy, s/he doesn’t like me after all!” Clear up one problem and another one arises, just as childish and petty as the last. If that’s what I wanted I’d just read a regular shoujo manga.

I skipped the rest of the books and read the blurb for volume 8 to find out how it ended. Predictably enough Kan’s parents have a fit when they find out the two are dating, so Kan and Fuyumi run off and shack up together and eventually have a baby. In the end the two families kind of make up and the two lovers and their baby attend Kan’s brother’s second wedding. So happy I saved myself several hours worth of reading teenage-level excrement in manga form.

What annoys me the most is that the romance could have been very easily derailed if Kan’s parents had just accepted the relationship in the first place. It’s pretty clear the two of them were getting off on the secrecy and sneaking around, so adding more drama and creating an “Us against the World” situation was a surefire way to make sure they ended up together. Especially since her mother-in-law was the main reason why Fuyumi divorced Kan’s brother in the first place. A pointed “It’s so nice to have you back in the family!” would have gone a long way towards cooling her ardor.

…You know a romance manga has gone all wrong when you’re rooting for the evil mother-in-law…

Aqua Planet Chronicle Blue

What appears to be a series of short stories by Masaru Oishi. The cover is nice, but Aqua Planet Chronicle Blue (碧 水惑星年代記) is really boring. I made it through half of the first story about the guy who wants to bonk his older stepsister while his younger stepsister wants to bonk him before giving up. I hate that kind of story, especially when it’s told in a slow, whiny, self-conscious way. Also the pen-and-ink art style may be popular these days, but I don’t think it fit the mood this time (i.e. I don’t like it) Next!

Banana Fish vol. 1-3 manga review

You ever had a manga you knew was good…but the main character was such a <bleep> that you couldn’t enjoy it? I like a good conspiracy theory/ragtag gang-on-the-run manga as much as anyone else, but when the protagonist is about as sympathetic as Jack the Ripper, it just ruins everything.

So this <rather unpleasant guy> named Ash had an older brother who took some bad drugs in ‘Nam and ended up shooting his whole unit. Older bro ends up as a vegetable who can only say “Banana Fish” and Ash winds up as a minor gang boss in New York. Eventually he finds a clue to the whole Banana Fish deal, but there are plenty of people – namely mafia boss Papa Dino, who will do anything to keep him from finding the truth. Etc, etc.

Banana Fish has got angst and violence – physical and sexual (how many times must Ash be raped before the mangaka is satisfied), it’s got action, mystery, suspense, tragedy and more. And everything moves along at a good pace, not too fast, not too slow. By the end of volume 3 Ash has already lost his best friend, his brother, his gang, he’s been to jail and back, he’s got a new Japanese best friend (I love how Japanese always self-insert no matter how improbable the location) and he’s gone home to trace his brother’s past.

…And that’s how far I think I’m ever going to get because I can’t STAND Ash. He’s the most incredibly stuck-up prat, ever! He’s supposed to be so smart, but most of the trouble he gets into is because he just won’t listen when people tell him not to do something. “No, Ash! It’s a trap!” means “It’s a trap!” you numbskull, don’t go dashing out there all half-cocked and act surprised when you get arrested and sent to jail. And then yeah, he shows flashes of brilliance in jail, but he wouldn’t even have BEEN in jail if he wasn’t such a nitwit in the first place. What a moron! “Oh, but he was raped as a kid, you’re supposed to feel sorry for him!” Yeah…NO. In fact the mangaka, Akimi Yoshida, clearly realizes that Ash’s level of —holery exceeds the pity point, so she keeps revising the age of his first rape earlier and earlier, wait he was 10, no wait he was 7, no wait… Give it a rest lady, your main character is a twit.

Thank goodness for Google and Wikipedia where I can read up on everything that happened without raising my blood pressure. Adios, Banana Fish!

Tsukuyomi ~Moon Phase~ vol. 1 manga review

Another stupid manga, I won’t waste too much time writing about this one. Kouhei is a photographer of spiritual phenomena. He runs into this loli named Hazuki in Germany and she tries to make him her slave by biting him. After some hijinks involving a cursed castle, Kouhei and Hazuki end up back in Japan together. She turns out to be a vampire, and Kouhei promises to help her find her mother, partly because he has unresolved mommy issues of his own.

If Tsukuyomi ~Moon Phase~ doesn’t sound too exciting from my description, that’s because it’s not. Hazuki’s too stupid to be a manipulative loli, too young to be a convincing tsundere and too bad-tempered to be a sympathetic character. As for Kouhei, the only thing he’s got going for him is that he’s invulnerable to hypnosis and stuff, but that’s because he’s DENSE, nothing else. So you’ve got a series that revolves around a relationship between two unlikeable characters…is anyone but me seeing the problem here or do you need a few more hints?

After licensing so many bad titles like this, no wonder Tokyopop is in trouble. Moving on…

Ibara Hime no Oyatsu manga review

In Japanese Ibara Hime no Oyatsu is いばら姫のおやつ, with a translation provided as “The Thorn Princess has Afternoon Refreshments”. A…seinen-ish, shoujo-ish manga by Ishida Atsuko.

I only finished this last week, but I’ve already forgotten the main characters’ names, so you’ll have to forgive me. I’ve read a number of stories where the extras or side stories were better than that main story, but this is the first one where the difference has been so overwhelming.

The first three chapters of this volume, about the titular thorn princess, are okay, but rather bland. The main character Yukihiro lives next to these two sisters, and one of these is really short and immature (i.e. loli), and in the same class as him in high school. In spite of that she’s already gotten herself a reputation for sleeping with any guy who will ask her out. Meanwhile she seems to have some affection for the main character, who has had a longstanding crush on her older sister.

And there’s some ups, and there’s some downs, and the whole thing ends with the loli leaving for Tokyo to become a model, while the older sister gets pregnant by her married boyfriend. It’s very tedious stuff and I was glad to be through with it.

The really good stuff is the 6 or so short stories that follow all that angst. They’re still angsty, but they deal with interesting topics from modern society. One of them deals with a boy’s feelings of abandonment and betrayal when his dad divorces his mother and remarries. Another deals with a young girl (also immature and loli) who withdraws from society after getting mixed up in a homeless man’s suicide. It’s about how she learns to trust again and put it behind her with the help of her aunt who is dealing with all sorts of conflicts of her own.

The last story (the author’s moralist tract), is the first manga short story I’ve ever read that deals with abortion, specifically abortion by a middle school student. It was very interesting reading. The Japanese have had an image for a while about being cavalier about abortion and using it as birth control. This manga speaks against that (“You’re not a monkey, use some protection!”) while also talking about having some self-respect, and not looking for validation or meaning from relationships but rather finding it within yourself. Words for any middle-schooler to live by.

I hadn’t read anything by Ishida Atsuko prior to this, but I liked her sketchy, clean art and simple, impactful stories, so I’ll be picking up more works by her in the future.