Chou (Super) Virgin manga review

A seven-volume romantic/cross-dressing comedy by Uchida Fujimaru. The protagonist is Hanazono Ippei, a middle-school student who suffers from the interestingly-named “Cherry Boy” Syndrome, which means he freaks out completely whenever he even goes near a girl. Thanks to that he fails an exam for a co-ed high school, which means he loses a bet he had with his dad and has to dress up like a girl and work in their restaurant.

However, Ippei finds out that as a girl he has no problem at all talking to girls and gets a crush on one of the customers on the same day. This is good news for him… right?

Uhh, not quite. It’s never that simple. Dressed as Ichiko, Ippei manages to win Rika (his crush’s) trust while simultaneously sort-of dating her as Ippei. And then there’s the fact that Rika is a pro-wrestler whose her arch-rival falls in love with Ippei, which means you’ve got the beginnings of a far-from-ordinary romantic comedy.

Chou (Super) Virgin! was pretty good, since it had a good balance of romance, action and comedy. Ippei gets involved in pro-wrestling, has to save Rika from the clutches of a rival (who then falls in love with Ichiko), has to navigate his way through several tiffs with Rika, and has to keep his secret from coming out while slowly getting over his Cherry Boy Syndrome issues.

The ending was happy, but left a bit to be desired. SPOILERS: Rika finds out about the deception and is rightfully mad, but then Ippei goes “I love you! I only did this because I love you!” and then everything is somehow okay again and they’re a couple. The ending shows he explained his problem to her and that she forgave him, but it really is sudden. And they haven’t shown how they’re going to resolve the issue of her being 19 and on her own and he being 16 and in school. 10 years from now it won’t even matter, but right now they’re at very different places in life.

But well, all’s well that ends well. It was a fun series, not too many wacky hijinks, an interesting cast, and a happy ending. Can’t ask for much more than that.

More movies

I forgot to write up the two Hong Kong movies I watched on the last KLM flight I took a couple of months ago. They were “Double Tap” starring Leslie Cheung and Alex Fong, and “I Love Hong Kong”, with Sandra Ng and Tony Leung (Big Tony). They were both kinda bad, though Double Tap was watchable, especially in hindsight, seeing as it stars Leslie as a seriously depressed maniac. He plays Rick, a gun expert who develops a penchant for killing after shooting a crazed cop, while Alex Fong plays the policeman who has to track him down and stop him.

The movie was going well until the end, which was too simplistic. Basically the men shot each other, but Alex’s wife had taught him breathing techniques to prolong his life when shot, so he lived and Leslie died. See, that’s too simplistic right? Bit of a disappointment there.

I Love Hong Kong” was just bad. The idea was good, about a man who moves back into a housing project with his family after losing everything. The movie is supposed to show how they adjust to life in a poor area and how they transform it eventually but 1. It takes them very little time to adjust completely, so there’s no tension there. 2. All the real transformation is carried out by the man’s shady friend, played by Eric Tsang. The family might as well not have moved back. 3. All problems are quickly and easily resolved, making you wonder if they were really problems at all. 4. The ending features a spectacularly cheesy singing sequence that made me cringe in my seat and change the channel. Way to go.

Watching Cantonese movies on flights really helps the time pass quickly, while letting me learn a bit in the process. Every time I watch a movie after studying for a while, I find I understand more and more of what’s being said without relying on the subs. I’m still not entirely ready to go sub-free, but I’m getting there.

Ten yori mo Hoshi yori mo manga review

A classic shoujo romance manga by Akaishi Michiyo. Ten yori mo Hoshi yori mo is at least 35 years old at this point, but a good romance is a good romance. About the only thing “off” is the lack of mobile phones, which made me go “Why don’t you just call him! Oh wait…” many times.

The story is about three high school kids who find themselves with superpowers, the love triangle that develops between them and their quest to find out who they truly are and where those powers came from.

Since it’s that old, I don’t mind spoiling: The girl Mio, and her beloved Sou/Rei turn out to have been Shizuka Gozen and Minamoto Yoshitsune from ancient Japan, finally reunited in the present. The bad guy Tadaomi is Oda Nobunaga reincarnated, meaning he has nothing to do with those two lovers and is just an interloper. He most likely mistook Mio for someone else, but this is never gone into.

The series ends with all three getting shot by policemen who mistake them for monsters. Tadaomi jumps into a fire, and that’s the end of him. Mio and Sou walk into the ocean, where presumably they are finally together in death. It’s possible that Mio used her powers to shield them from the water until they got further away, but not only has she exhausted her powers stopping a tsunami right before, but they have also both been, you know, shot, so it’s unlikely. So yeah, it’s not a very happy ending.

As far as romances go it was good, though. There’s no waffling between lovers, no silly misunderstandings, no petty squabbles between the lovers and lots of love and mutual respect. Mio and Sou find each other early and stay true to each other in the face of adversity. The cast is also kept reasonably small, allowing the story to be focused and fast-paced. I like that. If all shoujo romance series were like Ten Yori Mo, Hoshi Yori Mo, I wouldn’t have a problem with them at all. Except for, you know, the whole miserable ending thing. I still recommend it as a very enjoyable read with memorable characters.

Cherry manga review

Cherry is a short romantic comedy series by Eisaku Kubonouchi. I quit after one volume, then skipped to the end to find out it was all a dream… or was it? The story is about two young adults from the boonies who meet, fall in love “at first sight” and run away together to Tokyo to avoid a forced marriage.

At first Cherry seemed like it would be an interesting look at the difficulties of city life for a pair of outsiders with no money. Can they overcome the barriers, or will they be forced to go home in despair? Will Fuuko’s rich family come looking for her? Will the police? Where will they live? What will they do for money? What— stop worrying. Kubonouchi took the easy way out.

The couple almost immediately run into helpful people who give them a place to live, both Fuuko and her boyfriend find part-time jobs almost immediately, everybody loves the innocent, cheerful Fuuko, and Sakurabou’s only worry becomes “When can I have sex with Fuuko?” Every time he shows up, that’s all he can think about. I felt filthy just reading it, so I quit.

*spoilers for how it ends*
I skipped to the last chapter and it turns out everything was a dream. The house Fuuko supposedly lived in is ruined and empty, the people he “met” are probably people he imagined from reading about them in a magazine, and his ex-girlfriend is the one who runs from her wedding to be with him, not Fuuko. Fuuko never existed in the first place…or did she? There are a couple of problems with this:

1. This setup would have worked for a 1 volume series. After 4 volumes, however, the readers have grown to know and love the cast. Fuuko in particular has been shoved heavily down our throats, and now you say she never existed?
2. Several months must have passed in Sakurabou’s dream. In that time he must have fallen head over heels for Fuuko and forgotten all about his old GF (Meguppe who?). You can’t send him back to the beginning and tell him to re-fall for Meguppe, it’s not so simple.
3. Meguppe leaves her wedding to come see Sakurabou. But he still has no job, no prospects, no place of his own and no proper education. As long as he doesn’t know what he wants to do with his life, he can’t take care of anyone else. They have no future.
4. In the original timeline Meguppe turned into a skank who insulted and dumped Sakurabou very cruelly after leaving for Tokyo. Having seen this side of her, he’ll probably never be able to see her in the same light again. At the very least he’ll never trust her, so this relationship is not going to work.

In other words, “It was all just a dream” doesn’t solve anything at all! Thanks for that slap in the face, Kubonouchi. Don’t let the door hit you on the way out.

Katekyo Hitman Reborn! anime review

After watching what I could stomach of Darker than Black, I wanted to try something a little more lighthearted. I often download stuff at random, but this time I read the description and it sounded funny: Italian hitman who looks like baby trains Japanese high schooler to become Mafia leader. What could possibly go wrong?

I watched 10 episodes of Katekyo Hitman Reborn! before giving up, but I won’t say anything went “wrong” with it. More like something was right, so they took that something and reused it over and over again, thereby flogging it to death.

Basically each episode was like the one before it. The same things happened, the characters had the same reactions to it, it ended the same way, on to the next. Tsuna acts like a flabbergasted moron, Reborn is all-wise and all-knowing, Lambo is cute but annoying, Haru is also cute and also annoying, Kyoko is cute and clueless, Yamaguchi is an idiot who thinks everything is a game, etc, etc. You can tell what’s going to come out of everyone’s mouth before they even open it.

I found the first episode or two pretty funny, seeing all the crazy things Tsuna would get up to after being shot with the Dying Will bullet. But after that it was just “Bullet of the Day” ad nauseam, and Tsuna didn’t seem to be getting any brighter or more likable. Also I hate manipulative know-it-alls like Reborn. That smug bastard just pissed me off, episode after episode. If the two main characters suck so hard, there’s very little a series can do to redeem itself.

I hear eventually there’ll be some tournament-style fighting and some time travelling, and nothing could be less appealing to me, so I figured I’d quit while I was ahead. At least I laughed my head off at the Organ Block, so that’s worth something.