Another day, another Osamu Tsuka work. I declined to read MW after seeing the trashy blurb and opted to try the more reader-friendly (I thought) Lost World instead. It was pretty bad. Apparently it’s one of his earliest works, and it shows. He claims he didn’t steal the idea from Arthur Conan Doyle’s work of the same name, but I highly doubt he wasn’t at least influenced by what he’d heard of Doyle’s work. But leaving matters of copying or otherwise aside, what’s Lost World about?
Summary: From the creator of Astro Boy comes Lost World, the first of Osamu Tezuka’s cycle of groundbreaking science-fiction graphic novels – including Metropolis and Future World – published in the late 1940s and early 1950s. When a rogue planet approaches Earth, a team of scientists voyages to the world and discovered a land out of the ancient past – a planet populated by dinosaurs! But a group of crooks has stowed away aboard the spacecraft, and the scientists must fight for their survival against both mobsters and monsters!
First off, all the stuff in the description only happens in the second half of the book. The first half is some Tintin-esque hijinks involving energy stones, a gang of thieves in a secret hideout and a plucky old detective who just won’t quit. That part actually wasn’t too bad, though it did read like something cobbled together by a high-school boy who has read too many newspaper comics (which is exactly what Osamu Tezuka was when he wrote that stuff).
The second half is where he really hits his stride – Tezuka being Tezuka, the scientists nonsensically find their way into space, people good and bad drop like flies all over the pages and then he adds one of his usual downer endings and boom, instant “classic.” Except not really. It most likely got published in the 40s and 50s in Japan because there wasn’t much better out there. And I dare say it only got a western release because of this author, because Lost World is so mediocre no publisher in his right mind would publish such a violent, schizophrenic, poorly-drawn and poorly-written manga if the author wasn’t famous already.
The sole consolation is that 1) it was written by a young man who later went on to write better things (or so we are told, but I have yet to see it) and 2) Tezuka does offer some explanation for the uneven nature of the manga in his afterword. So at least you aren’t left guessing why the mood changes so rapidly from childish humor to unpleasant violence and back again several times within the same chapter, or why the hero has a love interest who is actually an edible plant, etc.
As an aside, this “romantic” relationship is cleared up by having the two character declare that they’re actually like brother and sister. Unfortunately anyone who has read Ayako and has thus seen some of Tezuka’s depictions of a brother-sister relationship will derive very little comfort from this revelation. Especially when the commentary goes on to suggest that the two characters are going to have lots of little plant-man babies in future. Oh, Tezuka.
If you’re a Tezuka fan or maybe you’re interested in very early manga Lost World might be worth a read from a historical point of view. Despite the cute cover it’s not very kid-friendly, so I wouldn’t get it for anyone very young. Readable but not actually good, that’s about it.