Futari no Kimochi volume 1

The official English title of Futari no Kimochi (ふたりの気持ち) is “Feeling of Lovers.” It’s an 8-volume romance manga by Takami Mako, who appears to specialize in relationships between younger men and older women.

Kan (18) is in love with his brother’s ex-wife Fuyumi (23). In order to be together they’ll have to overcome their age difference and the inevitable opposition from their families.

Like most romantic series, the conclusion was a given from the start. Of course they’re going to end up together, it’s just a matter of how. What I wanted to see was the romance would develop and how the author would handle this unusual premise. I didn’t bank on the plot crawling along at a snail’s pace or the characters being childish, petty and completely unlikeable. Kan gets a pass for being 18, but Fuyumi is even more spoiled, naive and empty-headed. They make a good (idiotic) couple, but not one worth reading about.

Nothing much happens in volume 1. Fuyumi and Kan reconnect 3 years after the former’s divorce. They start dating pretty much right away (Kan first kisses her in chapter 1!) and then they spend the rest of the book having silly misunderstandings and petty little fights. “OMG he’s talking to another girl/she’s talking to another guy, s/he doesn’t like me after all!” Clear up one problem and another one arises, just as childish and petty as the last. If that’s what I wanted I’d just read a regular shoujo manga.

I skipped the rest of the books and read the blurb for volume 8 to find out how it ended. Predictably enough Kan’s parents have a fit when they find out the two are dating, so Kan and Fuyumi run off and shack up together and eventually have a baby. In the end the two families kind of make up and the two lovers and their baby attend Kan’s brother’s second wedding. So happy I saved myself several hours worth of reading teenage-level excrement in manga form.

What annoys me the most is that the romance could have been very easily derailed if Kan’s parents had just accepted the relationship in the first place. It’s pretty clear the two of them were getting off on the secrecy and sneaking around, so adding more drama and creating an “Us against the World” situation was a surefire way to make sure they ended up together. Especially since her mother-in-law was the main reason why Fuyumi divorced Kan’s brother in the first place. A pointed “It’s so nice to have you back in the family!” would have gone a long way towards cooling her ardor.

…You know a romance manga has gone all wrong when you’re rooting for the evil mother-in-law…

Dragonaut: The Resonance anime review

Or, “Boobs and Dumb Women – the Anime.” It’s been a while since I watched something this horrible and yet so compelling. Dragonaut: The Resonance started out with a fairly good premise about humanoid dragons, the humans they have formed pacts with and the ominous “Thanatos” creature that was drawing nearer to the Earth every day.

Then it turned into a stupid rescue romantic farce where the main character Jin chased his lady love Toa for endless episodes, Toa always managing to either run away or get herself captured as soon as Jin found her. It’s revealed halfway through that Toa is directly responsible for the death of Jin’s family, but this is tossed to the side like it means nothing. Hos before even families, huh? Even Kouta from Elfen Lied wasn’t this faithful to his romantic needs.

From that point I was just watching to see how bad the series could get. And boy did it get bad. Toa! Jin! Toa! Jin! I want to see Toa! I want to see Toa! Jin! Jin! AAAAAAAAAAAAAAARRRRGGGGGHHHHH! *pukes* Phew, that’s better. You know, the dragon transformation sequences should have clued me in from the start that the creators had no idea what kind of series they were trying to make, but I foolishly persevered. In the end Jin and Toa manage to persuade Thanatos to leave Earth alone by showing her the Power of Love – as if it wasn’t bad enough when Gankutsuou did it – and they go back to Earth to live happily ever after. They’d better, after all the happiness GONZO robbed me of just by making this show exist. I’ll think twice before I try anything from that company again.

Ten yori mo Hoshi yori mo manga review

A classic shoujo romance manga by Akaishi Michiyo. Ten yori mo Hoshi yori mo is at least 35 years old at this point, but a good romance is a good romance. About the only thing “off” is the lack of mobile phones, which made me go “Why don’t you just call him! Oh wait…” many times.

The story is about three high school kids who find themselves with superpowers, the love triangle that develops between them and their quest to find out who they truly are and where those powers came from.

Since it’s that old, I don’t mind spoiling: The girl Mio, and her beloved Sou/Rei turn out to have been Shizuka Gozen and Minamoto Yoshitsune from ancient Japan, finally reunited in the present. The bad guy Tadaomi is Oda Nobunaga reincarnated, meaning he has nothing to do with those two lovers and is just an interloper. He most likely mistook Mio for someone else, but this is never gone into.

The series ends with all three getting shot by policemen who mistake them for monsters. Tadaomi jumps into a fire, and that’s the end of him. Mio and Sou walk into the ocean, where presumably they are finally together in death. It’s possible that Mio used her powers to shield them from the water until they got further away, but not only has she exhausted her powers stopping a tsunami right before, but they have also both been, you know, shot, so it’s unlikely. So yeah, it’s not a very happy ending.

As far as romances go it was good, though. There’s no waffling between lovers, no silly misunderstandings, no petty squabbles between the lovers and lots of love and mutual respect. Mio and Sou find each other early and stay true to each other in the face of adversity. The cast is also kept reasonably small, allowing the story to be focused and fast-paced. I like that. If all shoujo romance series were like Ten Yori Mo, Hoshi Yori Mo, I wouldn’t have a problem with them at all. Except for, you know, the whole miserable ending thing. I still recommend it as a very enjoyable read with memorable characters.

Otomen volume 1 manga review

Asuka Masamune is a man with feminine interests: shoujo manga, sewing, cooking, etc. But having been brought up to suppress this instinct and be manly, can he ever show his true self to his crush, Ryo Miyakozuka?

Uhh, of course he can. Some mangaka might have tried to drag this situation out and have Asuka hide his secret for as long as possible for the lulz, but within a few pages this guy is sewing for Ryo and then cooking increasingly elaborate boxed lunches for her. By the end of Otomen chapter 1 everyone in the school knows about this “secret” and both he and Ryo have decided they like each other.

So obviously, this manga should have ended after chapter one. It would have made a great one shot, with everything was out in the open and nicely wrapped-up by the end of it. After chapter one the rest of the volume was all manufactured drama and forced comedy, none of which worked for me. Also it’s really annoying having that Juta Tachibana “friend” of theirs following them everywhere, getting in their way at every step. They’d be fully dating already if he would just butt out. Three’s a crowd, dude!

Anyway, I like your art but knowing when to stop is part of being a good mangaka, Aya Kanno. Stop milking this cow and get a new one. 4/10

Oh, and on a personal note the typesetting was really annoying. Not only did they use my most hated font, Anime Ace, but they also switched fonts between AA and Wild Words from bubble to bubble and page to page for seemingly no reason at all. Very poor showing, Viz.