Akkake no Itoko – Hagio Moto manga review

Grhh…Banana Fish put me off manga for a while, in a way only truly annoying series can do. After a while I went through my collection of one-volume mangas for something new to try and settled on Akkake no Itoko by Hagio Moto. She’s pretty famous in Japan as one of the pioneers of thoughtful shoujo manga like AA’, but she’s not so well known in the west.

Unfortunately this collection of short stories is not one of her best. Maybe, just maybe, all this material was fresh when she published it back in 1970-whatever, but now they’re all silly, stale and shallow. The title one-shot is pretty good though, about a girl who moves to the countryside with her seemingly-Caucasian cousin Noelle (lots of Caucasian-types in this collection) and has to learn that there’s a lot behind her cousin’s happy-go-lucky facade.

The rest of the collection is lame. IIRC there’s this one called “Marmalade-chan” about a girl who looks like a boy, who gets involved with a fashion school and turns out to have been “pretty all along.” The next one is called “Mia” and it’s about a girl with a boy’s name who is put in a boy’s dormitory by accident and has to keep up the facade. It was so stupid I couldn’t read it but hey, maybe she was the first do to that hidden-girl-among-boys shtick, who knows. …And I stopped reading after that, even though the fourth story showed comedic promise I just couldn’t take the simplistic storylines and pat resolutions any more.

Aspiring mangakas might find the last story about mangaka struggling to come up with drafts interesting, but it seemed a little too longwinded to me so I just browsed through it. Still, I haven’t given up on Hagio Moto yet, someday I’ll find out just what it is that makes her special. It’s not Akakke no Itoko, for sure.

Banana Fish vol. 1-3 manga review

You ever had a manga you knew was good…but the main character was such a <bleep> that you couldn’t enjoy it? I like a good conspiracy theory/ragtag gang-on-the-run manga as much as anyone else, but when the protagonist is about as sympathetic as Jack the Ripper, it just ruins everything.

So this <rather unpleasant guy> named Ash had an older brother who took some bad drugs in ‘Nam and ended up shooting his whole unit. Older bro ends up as a vegetable who can only say “Banana Fish” and Ash winds up as a minor gang boss in New York. Eventually he finds a clue to the whole Banana Fish deal, but there are plenty of people – namely mafia boss Papa Dino, who will do anything to keep him from finding the truth. Etc, etc.

Banana Fish has got angst and violence – physical and sexual (how many times must Ash be raped before the mangaka is satisfied), it’s got action, mystery, suspense, tragedy and more. And everything moves along at a good pace, not too fast, not too slow. By the end of volume 3 Ash has already lost his best friend, his brother, his gang, he’s been to jail and back, he’s got a new Japanese best friend (I love how Japanese always self-insert no matter how improbable the location) and he’s gone home to trace his brother’s past.

…And that’s how far I think I’m ever going to get because I can’t STAND Ash. He’s the most incredibly stuck-up prat, ever! He’s supposed to be so smart, but most of the trouble he gets into is because he just won’t listen when people tell him not to do something. “No, Ash! It’s a trap!” means “It’s a trap!” you numbskull, don’t go dashing out there all half-cocked and act surprised when you get arrested and sent to jail. And then yeah, he shows flashes of brilliance in jail, but he wouldn’t even have BEEN in jail if he wasn’t such a nitwit in the first place. What a moron! “Oh, but he was raped as a kid, you’re supposed to feel sorry for him!” Yeah…NO. In fact the mangaka, Akimi Yoshida, clearly realizes that Ash’s level of —holery exceeds the pity point, so she keeps revising the age of his first rape earlier and earlier, wait he was 10, no wait he was 7, no wait… Give it a rest lady, your main character is a twit.

Thank goodness for Google and Wikipedia where I can read up on everything that happened without raising my blood pressure. Adios, Banana Fish!

Tsukuyomi ~Moon Phase~ vol. 1 manga review

Another stupid manga, I won’t waste too much time writing about this one. Kouhei is a photographer of spiritual phenomena. He runs into this loli named Hazuki in Germany and she tries to make him her slave by biting him. After some hijinks involving a cursed castle, Kouhei and Hazuki end up back in Japan together. She turns out to be a vampire, and Kouhei promises to help her find her mother, partly because he has unresolved mommy issues of his own.

If Tsukuyomi ~Moon Phase~ doesn’t sound too exciting from my description, that’s because it’s not. Hazuki’s too stupid to be a manipulative loli, too young to be a convincing tsundere and too bad-tempered to be a sympathetic character. As for Kouhei, the only thing he’s got going for him is that he’s invulnerable to hypnosis and stuff, but that’s because he’s DENSE, nothing else. So you’ve got a series that revolves around a relationship between two unlikeable characters…is anyone but me seeing the problem here or do you need a few more hints?

After licensing so many bad titles like this, no wonder Tokyopop is in trouble. Moving on…

Sumomomo Momomo vol. 1 manga review

The usual “Fiancee Out Of Nowhere” story with bad art, bad comedy, and bad angst right from the very start. I like those stories when the comedy is funny (see: Ranma 1/2) or if it’s very romantic and the characters are nice (see Ai Yori Aoshi), but Sumomomo Momomo is just bad. The girl Momoko has nothing going for her except she’s good at martial arts and she’s supposed to be pure, innocent and ignorant. Oh, and she looks 12 years old but she wants to have a baby with the main character, riiight.

The main character XYZ…I can’t even remember his name and I just finished reading it…ah, Koushi, starts out snarky and rude, wanting nothing to do with his martial arts family and background. But thanks to Momoko reminding him of his childhood through the usual tears and shouting “What happened to you, you used to be so blah-blah-blah”, he finally sees the error of his ways and goes back to being a strong martial artist again…

Or that’s how it was supposed to be, but then he remembers…he got the crap kicked out of him several years ago in front of Momoko and was so traumatized he gave up martial arts. His M.O. after that is figuring out how to get Momoko to do his dirty work for him while he tries to avoid getting married and having babies with her. Oh, and how to keep her out of trouble after she naturally enrolls at his high school. Oh, joy.

Psst, did I mention that several assassins are after Koushi’s life? Just because? All of a sudden? Yeah, it’s that kind of manga.

From the sound of all that, I expected to get a funny, crazy, interesting series out of Sumomomo, but for some reason the whole thing just feels dull, dry, empty and gloomy. I’m not quite sure what to pin it on, but I think it has a lot to do with the visuals not being able to keep up with the comic mood of the series. The panel layout in the action scenes is rather hard to follow, and all Haira Ichiden Musou-Ryuu and Shindara Rettsu Ryuu etc etc terms flying about get a little hard to follow after a while. Character design is odd, the artist goes a little too heavy on the black ink and dark screentone so every page looks really dark…basically this manga doesn’t have what it takes to hold my attention after volume 1.

Nothing to see here, moving right along.

Ibara Hime no Oyatsu manga review

In Japanese Ibara Hime no Oyatsu is いばら姫のおやつ, with a translation provided as “The Thorn Princess has Afternoon Refreshments”. A…seinen-ish, shoujo-ish manga by Ishida Atsuko.

I only finished this last week, but I’ve already forgotten the main characters’ names, so you’ll have to forgive me. I’ve read a number of stories where the extras or side stories were better than that main story, but this is the first one where the difference has been so overwhelming.

The first three chapters of this volume, about the titular thorn princess, are okay, but rather bland. The main character Yukihiro lives next to these two sisters, and one of these is really short and immature (i.e. loli), and in the same class as him in high school. In spite of that she’s already gotten herself a reputation for sleeping with any guy who will ask her out. Meanwhile she seems to have some affection for the main character, who has had a longstanding crush on her older sister.

And there’s some ups, and there’s some downs, and the whole thing ends with the loli leaving for Tokyo to become a model, while the older sister gets pregnant by her married boyfriend. It’s very tedious stuff and I was glad to be through with it.

The really good stuff is the 6 or so short stories that follow all that angst. They’re still angsty, but they deal with interesting topics from modern society. One of them deals with a boy’s feelings of abandonment and betrayal when his dad divorces his mother and remarries. Another deals with a young girl (also immature and loli) who withdraws from society after getting mixed up in a homeless man’s suicide. It’s about how she learns to trust again and put it behind her with the help of her aunt who is dealing with all sorts of conflicts of her own.

The last story (the author’s moralist tract), is the first manga short story I’ve ever read that deals with abortion, specifically abortion by a middle school student. It was very interesting reading. The Japanese have had an image for a while about being cavalier about abortion and using it as birth control. This manga speaks against that (“You’re not a monkey, use some protection!”) while also talking about having some self-respect, and not looking for validation or meaning from relationships but rather finding it within yourself. Words for any middle-schooler to live by.

I hadn’t read anything by Ishida Atsuko prior to this, but I liked her sketchy, clean art and simple, impactful stories, so I’ll be picking up more works by her in the future.