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Peerless Alchemist (manhua review)

It’s been a while since I reviewed a Chinese manga, a.k.a manhua. When I first started this blog I hadn’t read much Korean or Chinese stuff, nor did I intend to. But I’m on an isekai kick lately and eventually I ran out of Japanese stuff to read. Not to mention most Japanese isekai manga only release once a month, which is torture to wait for. So I had no choice but to go foraging for other series. I found some good ones, too, which I will introduce on this blog as and when I get the time. Today: Peerless Alchemist.

Blurb: A nameless 24th century cultivator is thrown back in time after being struck by a missile. Yes, Truck-kun was busy so he sent a subordinate. She takes possession of the body of the late Ji Fengyan, a much bullied and mistreated young lady of the Ji family and goes on to become the head of Ji City. And to all those who used to mess with her, beware! There’s something different about this new Fengyan…

And by something different, I mean she is one tough cookie who is a ton of fun to read about. I’ve been reading a lot of isekais with female main characters and they’re usually very good, but the main characters tend to be soft-hearted little flowers who go about sparing enemies, trying to hide their powers and being flustered whenever a male character shows the least bit of interest.

None of that for our Ji Fengyan. She doesn’t go out looking for trouble, but if it comes knocking at her doorstep, whoo boy, get ready to see the fur fly. My favorite part is when an enemy threatens to spill her misdeeds to the emperor and she answers, “How can you tell him anything… if you’re dead?” And she wasn’t kidding either, though she did end up sparing them because they wisely struck a deal.

But it’s not just her ruthlessness that makes Peerless Alchemist such a good read. I don’t know about others, but I really enjoy the Superman/Clark Kent dynamic Fengyan has going on with the male lead Xiao Liu Huo. She picked him up from the side of the road and decided, hey, you’re mine now. And that was fine, but it turns out Xiao Liu Huo has another form… Hidden behind a very thin disguise that absolutely no one but the readers can see through!

It’s better explained in the novels where Xiao Liu Huo is a teenager who is even younger than her while his other persona, the State Master, is much older. But in the manhua, apart from different eye colors, a different face mark and a much larger physique, they’re practically identical. It’s hilarious seeing Fengyan going “Squee, Xiao Liu Huo!” one second and “That damn state master!” the next second without knowing the truth. 😀 She’s going to find out eventually but until then, it’s just too funny.

Though truth be told, I think the State Master is better looking… And even Fengyan agreed, until he made an unwarranted pass at her… Chapter 54, nevar forget!

You might be wondering if there’s much of a story behind Peerless Alchemist beyond Ji Fengyan beating up the haters and being lovey-dovey with Xiao Liu Huo. For the first 70 chapters, that’s pretty much it. She moves from beating one dumb enemy to the next without a break in the middle. No real story, no rhyme or rhythm. It’s only now after 70 chapters that things are starting to move, in the form of a relic known as the Destroyer Armor left to Fengyan by “her” late father.

Everyone wants to get their hands on it. It’s the Empire’s trump card against the evil demons, and yet… Why does Xiao Liu Huo make her promise never to use it? Why is he determined to get the Armor off her? Why are all the bodies of past destroyers missing? The latest raw chapters have Fengyan going to the Imperial Academy for Destroyers, so maybe we will finally get some answers there.

Wait, the latest raw chapters? Yes, the latest raw chapters. I like the series so much that I started reading the raws online. I’m up to chapter 80 now. With my intermediate Cantonese skills, the Japanese kanji I recognize and the little Mandarin I learned back in college, I can get the gist of most chapters. Ideally I would do some hardcore Mandarin studying and be able to read the original novel by the end of the year, but I like the manhua so much better because the art is great. Reading the manhua is good practice too, because the pictures make things easy to follow.

This isn’t the last I’ll be posting of Peerless Alchemist, not while we still have at least another 200 chapters to go (the original novel is over 1200 chapters long). In the meantime, go check it out. You’ll like it if you enjoy: Powerful main characters who aren’t afraid to show it, great art and good-looking guys, bad guys who get what they deserve, a romance where characters don’t hide their feelings. Apart from that, it’s not that different from other xianxia manhua out there, so if you’re sick of the same old formula… well, try it anyway!

61st Kohaku Utagassen rundown (2010 edition)

This time I didn’t let a year elapse between rundown editions. I think a round of applause is in order.

(pause for applause)

Thank you, you’re too kind. Welp, time for me to rewatch the 61st Kohaku Utagassen (第61回NHK紅白歌合戦). I know I’ve seen it at least once because looking at the titles reminds me of several performances. That’s usually a good sign, but you never know. I think the next one (62nd) was the last one I saw before I quit watching Kohaku. Anyway, let’s get started!

Ugh, Arashi and some woman I don’t recognize. What’s her name? Doesn’t matter. They called out Ishikawa Ryo to introduce the program. He’s the young golfer the Japanese media was making such a big fuss about a few years ago. Whatever happened to him? Googly googly… Hmm, he was doing okay up to 2016, nothing remarkable since.

Introduction of all the performers and then plenty of talking. I don’t like Arashi or Nao Matsushita whoever she is, so I’ll be ignoring most of their banter. Sue me. The two mascots are Kohaku Utagassen mascots, U and Ta. If they really wanted mascots to sell merchandise they should have made them a lot cuter.

1. Ayumi Hamasaki 浜崎あゆみ (12) “Virgin Road” [Note: the number in brackets represents the number of times the person has appeared on Kohaku.]

Really like the dress and the nails, but her hair is so fuzzy and messy. The song was a bit boring at first, but it sort of grew on me by the end. And of course we’ll be nice and not ask “She’s on husband number what now?” In any case I don’t believe singers must live up to what they sing. It’s just another payday in the end. As long as they don’t actually claim to be living what they sing, that is.

2. Exile (6) “I Wish For You”

Have they performed this before? I knew the song already before they heard it. It’s only Exile song I know offhand and can even say I… kinda like? It was a fun performance, actually, and they seem to have added two more people to their frontline? Never seen those two before but they got a chance to lipsync too so they must be major. Good luck, guys.

3. AKB48 (3) “Kōhaku 2010 AKB48 Kamikyokutachi SP” 紅白2010 AKB48神曲SP

“Kamikyoku” should mean “famous songs” but the only song I recognize is Heavy Rotation. On the plus side this is the first AKB48 batch so I actually know a few of their names. Hope they enjoyed their 15 minutes of fame while it lasted. The performance itself wasn’t bad. They must have worked really hard to pull of the choreography well, and the slight perfections are all part of the charm. Huh, I’m in a charitable mood today aren’t I?

Introduction of the guest judges. Noguchi Souichi has been a judge recently, hasn’t he? A few years ago. I like Nakama Yukie’s colorful modern kimono.

4. NYC (2) “Yoku Asobi Yoku Manabe 100% NYC” よく遊びよく学べ100%NYC

They performed the year before and didn’t make an impression on me. It’s the same this year. I even forgot what they sang already. I remember the “100% no Yuuki” they sang afterwards, but not the main song. And TBH it’s a little embarrassing watching them wriggling and writhing around on the stage like that. Next please.

5. Angela Aki (5) アンジェラ・アキ “Kagayaku Hito” 輝く人

Gosh, what an affected show of faux affability. Was this whole emotional meet-and-greet with middle schoolers necessary? Whatevs, how is this year’s song? The song itself is mediocre, but after all the fuss of the last two performances there’s something cleansing about one woman, one guitar, one great voice. So in that sense it was good.

6. AAA (debut) “Aitai Riyū”逢いたい理由

Whoa, what’s with the tacky gold outfits? You’re hurting my eyes. I hadn’t heard of AAA before. Apparently they’re still active now, minus two female members. And they spent a long time as backup dancers and singers so now it’s their turn to shine. Will they? …Nope. That was bad.

7. Mitsuko Nakamura 中村美律子 (15) “Kawachi Otoko Bushi” 河内おとこ節

Exile’s “I Wish” is still ringing through my head. I wish, I wish, I wish for you~ Mitsuko Nakamura seemingly has only one song, which she has sung in the past few years so I’m not interested in hearing it. No, it doesn’t matter how many mascots you use or how many times you trot Tokio out.

8. Flumpool (2) “Kimi ni Todoke” 君に届け

That reminds me, I’ve been meaning to watch the Kimi ni Todoke anime for a long time. Not related to this song though, AFAIK. Three of the members have been buddies since nursery school. Amazing. But doesn’t highlighting that make the fourth member feel like even more of an outsider? I saw the staff member collecting the mic! Anyway, the song. Not particularly good.

9. Ayaka Hirahara (7)平原綾香 “Voyagers”

Matsushita pronounced the song title like “Boyjas” so I didn’t know what it was until I actually saw “Voyagers” on the screen. The song was used as the theme song for a nature program, Darwin’s something or the other, hence all the animal videos in the background. How someone can look at the variety and complexity of nature and say it all just exploded from nothingness and magically ‘evolved’ into what we see now is beyond me. But man will believe anything rather than accept God so it’s no surprise. The song is forgettable. I know that because I’ve already forgotten it. Hai, tsugi.

10. Yusuke 遊助 (2) “Hito” ひと

A lot of returnees from last year’s edition. Yusuke’s father started a band 10 years ago with the goal of making it to Kohaku Utagassen. Would be funny if he ever made it. Yusuke wrote this song for a friend of his who was getting married. It’s all “We’ll always be buddies” kind of song. Just okay. Lots of frozen smiles on the backup dancers.

Special program: “Character Kohaku Utagassen” 企画「キャラクター紅白歌合戦」
1: Okaasan to Issho “Doko no ko no kinoko” おかあさんといっしょ「ドコノコノキノコ」

Oh, that was surprisingly catchy. A bit of a Slavic influence and all, very catchy. I can imagine liking this as a kid.

2: Kaibutsu-kun (Satoshi Ohno) “Yukai tsuukai Kaibutsu-kun” 怪物くん（大野智）「ユカイツーカイ怪物くん」

So that’s where Ohno has been for the past little while. I so don’t like his face. I don’t suppose he would like mine instead. I remember all the promotion for this movie. …That wasn’t bad either. But the characters are all annoying.

3: Nana Mizuki and Atsuko Maeda and Tomomi Itano (AKB48) “Alright! Heart Catch Precure!” 水樹奈々&前田敦子・大島優子・板野友美（AKB48）「Alright! ハートキャッチプリキュア!」

I saw you guys filing in. I couldn’t get into Precure so it doesn’t matter what they sing. I hope it’s catchy… It actually is. And Nana Mizuki is lipsyncing so she’s not screeching into my ear like last year. Not bad at all.

4: Kazuo Kumakura “Gegege no Kitarou” 熊倉一雄「ゲゲゲの鬼太郎」

Huh. A relatively understated performance, but very creepy and atmospheric, just right for the theme. If I had to pick a winner I’d pick this one, actually. The voice and the footage and the lighting all fit great. Brr.

Welp, that’s finally over. Which side do the “judges” U and Ta prefer? They all did well, TBH. A draw! Yup, that’s fair. Now get off my screen, Ohno.

The guest judge is the Nunoe Mura, widow of the author of Gegege no Kitaro (and a mangaka herself) so she remembers her husband being excited about the anime song when it first came out 40 years ago. That’s sweet. What’s not sweet is the time-wasting involving the cast of Gegege no Nyobo (Gegege’s Wife), a drama based on Nunoe Mura’s autobiography. Fake, forced banter and laughing at nothing.

11. Natsuko Godai 伍代夏子 (17) “Hitori Zake” ひとり酒

The lady with the beautiful smile. Absolutely gorgeous kimono, and I like the song too. It’s the standard enka stuff, but the “chibiri chibiri” part is nice. And look, it’s Minami Minegishi with a full head of hair! Nyeh heh heh. Actually I saw her on Downtown DX not too long ago with hair on her head, but I couldn’t resist one little dig.

12. Takashi Hosokawa 細川たかし (34) “Naniwabushi da yo Jinsei wa” 浪花節だよ人生は

That’s quite the glittery hakama he’s got on there. And the top is shiny too? Sugoi. He didn’t forget the lyrics this time. So pointless having AKB48 in every performance. This is what the J-netizens called gorioshi – forcing a celebrity down the audience’s throat until they become popular. It certainly worked for AKB48.

Ah, now I see why Matsushita Nao was wasting so much time talking. She was buying time for Arashi to change. And now they’re buying time for her. Hello there, young-looking Kusanagi-kun. The mascot is for getting everyone to switch from analog to digital television. Japan has a mascot for virtually everything. We’ll just ignore Shingo by his side.

13. Porno Graffiti (9) “Kimi wa 100%”君は100%

The lead singer Akihito likes to climb towers so he’s looking forward to the opening of the Tokyo Skytree. Oh, the stage background changed a bit too. Just a bit. The song isn’t one Porno Graffiti’s better ones. It wasn’t funny when he fluffed the lyrics too, ‘cos he just plain fluffed them. It’s only funny if the singer makes an error because he was ogling pretty girls like Takashi Hosokawa or because Downtown was needling him like T. M. Revolution.

14. Kana Nishino 西野カナ (debut) “Best Friend”

I know I’ve heard her name somewhere, but… turns out I know her face too. What I don’t know is her voice and her music. Nice red dress BTW. It would look nice on me. My address is… j/k. I was worried when the camera zoomed in for an upskirt shot (whyyy?) but luckily she’s wearing red bloomers. The song is the kind of thing I might have liked at 15, listening to it with my “best friends” who I don’t even know where they are these days.

15. Funky Monkey Babys (2) “Ato Hitotsu”あとひとつ

The height difference between Tanaka and Sabu-chan is something else, haha. Generic “do your best” Japanese pop song. I can’t even remember the tune now.

16. Miyuki Kawanaka 川中美幸 (23) “Nirinsou” 二輪草

This song agaaaain? I like it but agaaain? The people who came to cheer her on are her co-stars from a TV show called Teppan. Never seen it. The kimono is a bit busy. Not as busy as the backup dancers though. What’s with 90% of performances having 20 people hopping around in the background? Maji uzai.

17. HY (debut) “Toki wo Koe”時をこえ

The obligatory “No more war” section of Kohaku Utagassen. HY is a group from Okinawa with a song based on stories told by the lead singer’s grandmother, who was 12 years old at the end of World War II. Commendable message but I can’t remember the song any more. Yes, already.

18. Kumiko クミコ (debut) “Inori” INORI〜祈り〜

Haunting, haunting song. I remember this one stayed with me for a long time after I watched it all those years ago. I get tears in my eyes just thinking about Sadako terrified of death, folding those cranes day after day hoping they could save her. If only someone had been able to share the gospel with her.

Since the children have flesh and blood, he too shared in their humanity so that by his death he might break the power of him who holds the power of death—that is, the devil—and free those who all their lives were held in slavery by their fear of death. (Hebrews 2:14-15)

If you’re reading this and you’re afraid to die, you don’t have to be. Jesus Christ has conquered death and the grave through His death on the cross. John 11:25-26: Jesus said to her, “I am the resurrection and the life; he who believes in Me will live even if he dies, and everyone who lives and believes in Me will never die. Do you believe this?” I hope you do.

19. Kaori Mizumori 水森かおり (8) “Matsushima Kikō” 松島紀行

I have NO idea what W Colon is talking about. None at all. Mizumori with another long dress hiding her platform heels and another generic enka song. I actually enjoyed the song more when I took my eyes off the screen and just listened. The gymnasts behind her are just too distracting.

20. Hideaki Tokunaga 徳永英明 (5) “Toki no Nagare ni Mi wo Makase” 時の流れに身をまかせ

A cover of Teresa Teng’s classic song. Tokunaga released a cover album of songs by female artists and he’s been living pretty off that ever since, but TBH I like his own songs better. Not to mention Teresa Teng is a tough act to follow.

21. Nana Mizuki 水樹奈々 (2) “Phantom Minds”

Sounds like the theme song from an anime I would drop after one episode, lol. Her singing (syncing?) has improved from last year so it wasn’t a bad experience.

22. L’Arc-en-Ciel (4) “Bless”

“Bless” was the NHK theme song for the Winter Olympics in Vancouver that year. Eeee, it’s L’Arc en Ciel~~~ …is how I would have reacted 10 to 15 years ago when I used to buy all their albums. I still have them actually but I only listen to a few songs now. It’s good to see them on the stage though ^_^ Hyde, you’re syncing aren’t you? No way you’re hitting those notes so clearly with your smoked-out voice these days. Oh, he’s burning the higher notes a bit, haha. Just as expected. Okay song, but I was really happy to see Laruku.

23. Yoshimi Tendo 天童よしみ (15) “Jinsei Michizure” 人生みちづれ

Hmm, I see what Ayanokouji Kimimaro did there, but it wasn’t that funny. The audience seems to agree. It’s just a typical enka song, but somehow I really enjoyed this one. Even the little “rurururururu” at the end was great. I think my charitable mood from earlier is back.

24. Shinichi Mori 森進一 (43) “Erimo Misaki” 襟裳岬

Erimo Misaki! I like this song! It was written by folk singer Takuro Yoshida, who doesn’t appear on Kohaku himself because of reasons (possibly involving a fight with Akira Fuse). I know all this because I’m a huge fan of Takuro Yoshida. I used to own several of his albums too, until they were stolen or misplaced. That said, Shinichi Mori’s version of Erimo Misaki is just perfect, his voice and singing style just nail the lyrics perfectly. This should be good… And it was. Though his lipstick and too-young hairstyle were a little distracting. And the background chorus was unnecessary.

The white team won the first half, which is just about right IMO.

Group performance of Kohaku Theme Song “Uta no Chikara” 紅白テーマソング「歌の力」合唱

The opening act for the second half. Same unimpressive stuff as last year. They’re doing their best, but this song just isn’t growing on me. The piecemeal singing style doesn’t help either.

25. Hiromi Go 郷ひろみ (23) “Go!Go!Year Kōhaku Special Medley” GO!GO!イヤー紅白スペシャルメドレー

He turned 55 that year, and 5 is go in Japanese, hence “Go Go.” I like it when Japanese does stuff like that, though it can be a pain to translate. This was fun to watch. I don’t know any of his songs, but I liked Aishiteru, and the dancing for Dangan Groove was very lively.

Ugh, 6 hosts mean 6 times the fake smiles and fake laughs. Now I’m remember why I got so tired of Kohaku Utagassen so quickly. Sakana-kun again. Ugh. You can read more about the story behind the Kunimasu salmon he rediscovered here.

26. aiko (9) “Mukai Awase” 向かいあわせ

Another bland and forgettable song from aiko. The background sets are a little fancier this year than last year. They’re not zooming in on the background either so no glaring pixels. C’est bon.

27. Perfume (3) “Nee” ねぇ

Nee, nee, nee, nee. This title is just calculated to become an earworm. It doesn’t work on me with just one listen, but I can imagine hearing this everywhere in Japan for weeks, it would definitely get stuck in your head! The outfits are interesting, the background is cool, the choreography is great. The song is meh. Nee?

28. Tokio (17) “Advance”

Ah, the usual photo makes its usual appearance. Kind of fell flat this year, but I for one was happy to see it. How is the music? Seeing as Tokio isn’t really known for music these days. Nice song, but extremely generic-sounding. Calculated to be an inoffensive opening song to some shounen anime or TV show somewhere, I can just smell it. Random observance: isn’t Nagase’s hair suspiciously black for his age? 😉

29. Kumi Koda 倖田來未 (6) “KODA KUMI 2010 Special Medley”

I like her rose dress, but it’s obviously coming off in a few seconds, isn’t it? Ah. The hosts confirmed it. Come on, don’t give it away. We all know it, but that doesn’t mean you have to say it! Gyahaha, they almost pulled Ku-chan off the stage along with her dress. Nice recovery there, girl. No good songs in that medley but it was aight.

30. Hiroshi Itsuki 五木ひろし (40) “Oshiroi Hana” おしろい花

His 40th year since his debut. That’s cool. This song was written by his past composer who passed away so he’s singing it to honor him. Itsuki has songs I really like such as “Furimukeba Nihonkai” and “Shiodoki” but this won’t be joining those ranks. It’s so generic I started spacing out after the first verse. I appreciate the no-frills performance though. Really like the butterfly lapel pin too.

Unwanted and unneeded musical interlude from Arashi

Blah blah, Arashi, Japan, hometown. I told you I don’t like Arashi. Don’t make me repeat myself. You guys are just reading off a teleprompter, you don’t mean any of these things, stop putting on airs.

31. Akiko Wada 和田アキ子 (34) Akkoii! Kōhaku 2010 Special “AKKOィィッ!紅白2010スペシャル”

Her voice has really changed from her debut days. I know because I’ve listened to “Waratte Yurushite” and “Furui Nikki” a lot. But I still enjoyed watching and listening to this. All right! The AKB48 girls are just flapping their lips in the background. What are all those women there for anyway?

Ooh, accidental bad shot. Come to think of it, I’ve seen very few staff members this year. Was it last year or the year before when they were scurrying around everywhere like cockroaches? That was fun to watch.

32. Yūzō Kayama 加山雄三 (17) Wakadaisho 50-nen! Special Medley “若大将50年! スペシャルメドレー”

Why so many medleys this year? The Wakadaisho series was a series of movies Yuzo Kayama starred in, is what Wikipedia told me just now. Anyway, that was brilliant! I loved both songs. I didn’t know any of his music before, but this Japanese-style country music is really easy to listen to and the lyrics are clean and heartwarming. It was great!

33. Masaharu Fukuyama 福山雅治 (3) “Michishirube” 道標

Beamed in from another location just like last year. What a crowd. He’s cutting his hair live on stage to say good-bye to his Ryomaden role. And he wants the producer to do it. Okay, this is beyond creepy. Like, waay beyond. I’mma skip the cutting parts. NHK is really set on pushing that Ryomaden thing, seeing how much time they wasted on it both last year and this year. The song is okay.

34. Sachiko Kobayashi 小林幸子 (32) “Kaachan no Hitorigoto” 母ちゃんのひとり言

The last year before they dropped Sachiko Kobayashi from the program? I’m really happy they got rid of Kenichi Mikawa but I was sad when I heard Last Boss had stopped appearing too. Let’s enjoy her while she’s here. Actually she hasn’t repeated a song in all the time I’ve been watching Kohaku Uta Gassen.

Wahh, that was great. I so remember that goofy-looking bird. I mean it’s an amazing piece of stagecraft when it stands still, but it moves so jerkily it looks like a vulture instead of a crane. I enjoyed watching it flap around, though. Grand spectacles are fun to watch too!

35. Kobukuro コブクロ(6) “Ryūsei” 流星

Lots of talking from the guests to buy Kobayashi time to exit the stage. I always think Kobukuro songs are just okay. How’s this one? Yeah. Same opinion. I can see how it would be the perfect J-drama song though, especially if they play it at overly emotional moments like they always do. Come to think of it, I haven’t watched a J-drama in at least 10 years.

36. Kana Uemura 植村花菜 (debut) “Toilet no Kamisama” トイレの神様

I remember this hit song of the year being hideously boring. Was I right? Whoa, it’s even more boring than I’d remembered. UGH. And so fake. From the lyrics basically she was selfish and mean to her family until her grandma died then made up stories about her grandma to get some money. I can’t believe Kohaku spent so much time on this tripe. Tch.

37. Arashi 嵐(2) “2010 Kōhaku Original Medley” 2010紅白オリジナルメドレー

They’re singing again. Haven’t they punished me enough? I think reading too many tabloid articles has filled me with a revulsion for Arashi that I don’t feel for most other J-boy bands. Not that I follow any of them, but either way it’s quite unfortunate. Not as unfortunate as the stalkerish lyrics to “Monster” but definitely up there.

Wow, those scenes from Gegege no Nyoubou… Such terrible acting. Every time I try to watch a J-drama, there’s always a hope that they’ve become less wooden and artificial in their acting but they never have. Especially when I compare them to other Asian dramas, the overacting is just too much. Anyway, that’s just by-the-by.

Hmph, I can play the piano too. And I can do without a long CM of my latest movie playing in the background. Nah, kidding. I appreciate the amount of work that goes into such a performance.

38. Ikimono-gakari いきものがかり (3) “Arigatō” ありがとう

I really like the thin gold bracelet and the thin gold ring on the singer’s hand. Looks like something easily stolen though, just swipe swipe swipe. The song itself is nice but they already made us listen to it 5 minutes ago so it’s like a rehash. Nice enough performance, very simple.

Special performance: Keisuke Kuwata “Sore yuke Baby!!” “Honto wa Kowai Ai to Romance” 特別出演：桑田佳祐「それ行けベイビー!!」「本当は怖い愛とロマンス」

This was the year after Kuwata’s return from cancer surgery. Glad he’s back and doing okay. But wow, he has really bad teeth. Smoker? I really like Southern All Stars when their lyrics aren’t too risque. I’ve been a big fan ever since I heard one of their songs as the ending to the Ooku drama. I couldn’t understand a word of the Japanese-only drama back then, but man did I fall crazy in love with the ED theme. But enough about me, how’s the music?

For some reason I remember “Sore yuke Baby” very clearly. Guess I liked it back then. And I like it too now. But I like “Hontou wa Kowai Ai to Romance” even more. Kowaaaaaiaiaiaai Ai to Roomance! I like it, it’s seriously catchy. The bunny girls look a bit uncomfortable though. Perhaps Kuwata’s reputation as a lech is not completely unfounded? Lol at him introducing the next performance at the end.

39. Sayuri Ishikawa 石川さゆり (33) “Amagi Goe” 天城越え

Again? I love Amagi Goe, but again? I’d like to hear some of her other enka songs next time if possible. First let’s rewind and watch Keisuke Kuwata again… Thus fortified, on, on we go.

This time the excuse is that the lyricist for the song passed away so she’s singing to honor him. Okay, I’ll buy that. Beautiful kimono. The song is the same as ever, but I really like what they did with the stage effects, especially the ground gradually filling with red from below. Very theatrical.

40. Saburō Kitajima 北島三郎 (47) “Fusetsu Nagare Tabi” 風雪ながれ旅

Brilliant! This is the song Sabu-chan performed on the first Kohaku I watched, and I clearly remember him getting some of the pieces of “snow” in his mouth, lol. Seems he avoided that fate this time. Nice song, but it probably wouldn’t work without the effects or something similar.

41. Fuyumi Sakamoto 坂本冬美 (22) “Mata Kimi ni Koishiteru” また君に恋してる

Ah, I was waiting for this. She sang it early on last year’s program and got such a good response that she was invited back to be last-but-one batter for the red team. As I said back then, I prefer the soothing tones of the original but somehow Sakamoto’s high-pitched voice makes it work as well. Good stuff.

42. Kiyoshi Hikawa 氷川きよし (11) “Nijiiro no Baiyon” 虹色のバイヨン

Huh, I was wondering where he had gone. I wonder if he’s still on Kohaku these days or whether his time is past. I’ll find out in another 10 years at the rate I’m going. The theme this year is “Arabian Prince.” Maybe Persian? It’s… colorful. The song is ordinary.

42. Dreams Come True “Ikite Yuku no Desu♡” feat. The Kohaku Special Brass Band 生きてゆくのです♡ feat. ザ紅白スペシャルブラスバンド

I’ve always wondered if Dreams Come True is really that popular in Japan, seeing how late they appear on the program in every Kohaku. I guess they are? Not a bad song, though my attention was caught more by Miwa’s lacy kimono. Surely I could have a good seamstress copy that… She’s energetic, I’ll give her that, but her voice sounds hoarse. Still the song grew on me the more I listened to it. AAAAI SHITERU tte motto itte~.

43. SMAP (18) “This is Love ’10 SP Medley” SPメドレー

The final performance at last! SMAP! Kusanagi has been popping up in my Youtube feed recently with his cooking videos, but I know if I watch one Youtube will start spamming me with SMAP vids so I don’t dare.

I’ve been thinking this for a while, but doesn’t Ohno have surprisingly few lines and close ups for the alleged leader of Arashi? Not that I care though. As for SMAP’s performance, somehow I feel more charitable towards them now they’re gone. It even feels nostalgic to see them. Nakai out of step with everyone, Goro looking so old and stern, Katori with his faux-goofy act… They really look like middle-aged businessmen in those suits lol. Also the “This is Love” song is horrible. I’m not lovin’ it. “Triangle” is a bit better, but not by much. And what a waste of good feathers.

Results

I think the White Team has it, TBH. I loved more of their performances, especially Keisuke Kuwata, Shinichi Mori and Yuzo Kayama. And even Exile. Let’s see if the rest of Japan agrees. The hall seems to be on the White side. I don’t envy the production guys whose job it was to create that medley over the course of the program. Yes! White Team won! It was close, though. Time for the traditional singing of Hotaru no Hikari (Auld Lang Syne) and yay, it’s over! See you next time!

The Other World Doesn’t Stand A Chance Against The Power Of Instant Death – read about 60 chapters of the web novel

It’s the rare manga that prompts me to seek out the web novel. And not just that but to read all the chapters available in English and go beyond to the original author’s page and keep reading for several more chapters. The Other World Doesn’t Stand A Chance Against The Power Of Instant Death (Sokushi Cheat ga Saikyou Sugite, Isekai no Yatsura ga Marude Aite ni Naranai n desu ga 即死チートが最強すぎて、異世界のやつらがまるで相手にならないんですが。) managed to hold my interest much longer than most of the other stuff I’ve read this year, and for that the author Tsuyoshi Fujitaka should be commended. Buuut, I still dropped it after roughly 60 chapters and I’ll tell you why in a bit.

Story: High school senior Yogiri Takatou was on a school field trip when he woke up to a dragon assaulting his sightseeing bus, with the only ones still on the bus being him and his female classmate, the panicking Tomochika Dannoura. Apparently the rest of his classmates had been given special powers by Sion, a woman who introduced herself as a Sage, and escaped from the dragon, leaving those that hadn’t received any special powers behind as dragon bait.

And so Yogiri was thrown into a parallel universe full of danger, with no idea of what just happened. Likewise, Sion had no way of knowing just what kind of being she had summoned to her world.

Turns out Yogiri has the power of Instant Death. And he didn’t learn it in the new world either, it’s heavily implied that he had it all along. Anyone he tells to die will die. Anyone he even thinks about killing will die. Heck, not just “anyone”, anyTHING in existence – if it moves, if it works, if he wants it to die, it will die. If you play video games, imagine a boss with an unblockable one-hit kill move that he uses at the start of the battle before you can get a hit in. That’s Yogiri Takatou.

On the plus side, he’s a lazy slacker who doesn’t want to kill willy-nilly. He usually makes an attempt to reason with people before ending them. It just happens that he’s been summoned to a world where magic makes people crazy, so the opponents he faces can never be reasoned with. Since his power is so devastating, there’s not much room for fighting or lengthy battle scenes once he uses it, so eventually the web novel devolves into “How much time can we waste with other characters and unnecessary scenes before Yogiri inevitably ends everything with one word?”

That’s the problem all stories with way overpowered characters end up with. Either they have to nerf the character to make it interesting or they have to take him/her off-screen and fill the time with other people and stories to delay the inevitable. You can see it in One Punch Man where Saitama only appears very rarely these days. When he does he rarely fights. When he does get into a fight, he stands around and gets hit for a while just to prolong the inevitable.

So it is in The Other World Doesn’t Stand A Chance Against The Power Of Instant Death, especially the further along the web novel goes. You have to read about boring side characters like Aoi and Hanakawa and Raineel for lengthy periods of time and you have to suffer through a loooong sequence of Yogiri and his team traveling through some boring tower. Once the tower was over I called it quits because these days I’m getting better at spotting dead-end series.

I’ll still read the manga because it’s amusing but there’s too little Yogiri doing actual stuff or making actual progress in the web novel to make it worth suffering through the author’s mediocre, unengaging writing style for it. He has a good idea and an interesting premise, he just has ZERO idea what to do with it. The way the story is, he really should have planned it as a short three to five volume series with the battles and opponents all prepared before starting. Then he wouldn’t need to stuff a web novel with filler right from the second volume.

BTW, you may have noticed a busty brunette featuring prominently in the art for this series. Her name is Tomochika Dannoura. She’s ostensibly the deuteragonist – the second protagonist, as it were, so a lot of chapters are given from her perspective. But that’s just her cover story. Her real role is to look good on the covers to make it more attractive to buyers and readers. That’s why she never does anything of note in the story. That’s why Yogiri only brings her along because her boobs were soft. Yes, really. But don’t expect any romantic scenes because of that. It’s not that kind of series, at least as far as I read.

Don’t expect any detailed world building either. What you should read it for is how funny it is in the beginning when Yogiri kills stuff. And the vague hope of Yogiri killing the crazy Sage (who is later shown to be not so crazy but we don’t care because Yogiri is probably going to kill her anyway. The series suffers from a lot of that). The early chapters are the best before the author starts rationing his powers. I’d say check out the manga and given the web novel a miss unless you’re really into web novels.

TL;DR – The Other World Doesn’t Stand A Chance Against The Power Of Instant Death is great at first but stops being good pretty quickly.

Shokusai no Oukoku – Barbaric Japanese TV show

I like food and I’m always looking for new Japanese TV programs to watch, so Shokusai no Oukoku (食彩の王国) sounded like a good fit. Each episode takes one food, or a few foods from a certain region. First they show the various ways the locals prepare it, then they show a professional chef who uses the item in various high-class dishes.

It’s not really what I was looking for because most of the ingredients are things like eel and fresh wasabi and abalone, etc, stuff I can’t get in my country no matter how much money I pay. Most of the cooking done by the chefs can’t be replicated by an amateur cook by me – besides the dishes always look so fussy and artsy. That only leaves the home-cooked version of each item, which only makes up about 1% of each show.

But if that was the only problem I might have kept watching it. It’s interesting to learn about new foods and the narration is very soothing. The problem with Shokusai no Oukoku is the sheer barbarity of their food preparation methods. The cruelty with which they prepare the animals while they’re still alive is just too much for me to take.

I’m not a vegan or a vegetarian. I’m more of a People Eating Tasty Animals kind of person. I believe God gave us both plants and animals for food. What I don’t believe in is causing untold suffering to creatures in the course of preparing that food.

In one episode of Shokusai no Oukoku, I watched a woman prepare crab miso soup by crushing live crabs and mixing them with hot water and miso. Why crush them while alive? WHYYY? It’s too horrible. But that woman was a home cook. Maybe she doesn’t know any better. Let’s turn to our professional chef… He’s doing that same thing! Crushing them with a brick!!!!

Okay, that was just one episode. It won’t happen any more, right? Right… as far as crabs go… But then I watched the episode about octopus. Oh, the octopuses. It was horrible. Really horrible. Especially when you know what I do about how sensitive and intelligent octopuses are. Just pure Japanese sadism at its finest.

First they chopped up an octopus while alive, and that was presented as a good thing. “See how fresh it is, it’s wriggling!” OF COURSE IT’S WRIGGLING WHILE YOU’RE BUTCHERING IT TO DEATH! Rgggh. And it got worse with a cooking method known as jigoku yaki (地獄焼) which is grilling seafood alive. Yes, alive. I will spare you the gory details. I just wish someone had spared me. I must have lived a very blessed life so far because it is easily the most horrible thing I’ve ever seen anyone do to an animal.

I don’t want to watch Shokusai no Oukoku any more. I don’t want to watch any Japanese cooking show any more. I’ve just… I’m done. This post was a warning to stay far far away from this horrible, inhumane program. You were warned.

I read Ascendance of a Bookworm manga up to chapter 31

I’m still reading many different isekai manga. It sucks that so many of them are in very early stages, sometimes only 3 or 4 chapters are out. Usually there’s a light novel or web novel behind them, but I can’t be bothered to track those down for most series. Ascendance of a Bookworm / Honzuki no gekokujou is one of the few exceptions where I read the scanlation up to chapter 12 and then read the raws all the way up to chapter 31, the latest available right now.

Summary: Urano, a bookworm who had finally found a job as a librarian at a university, was sadly killed shortly after graduating from college. She was reborn as Main, the daughter of a soldier in a world where the literacy rate is low and books were scarce. No matter how much she wanted to read, there were no books around. What is a bookworm to do without any books? Make them, of course. Her goal is to become a librarian! So that she may once again live surrounded by books, she must start by making them herself. [from novelupdates]

What’s so good about Ascendance of a Bookworm

Although it’s an isekai fantasy series like a hundred others currently running, it’s low fantasy with a bigger focus on slice of life and everyday survival. Main lives a life far removed from castles, demons, goddesses, stat level ups, just a little kid trying to get by in the world.
It has one of the few protagonists who is not hopelessly overpowered right from the start. In fact Main is totally weak and prone to illness.
Main is not super-intelligent either, just blessed with a lot of book knowledge. In particular she doesn’t know much about business and would be swindled regularly if it wasn’t for adults looking out for her.
No harem, no huge crowd of adoring fans lapping up his every move. A few people know just how amazing she is, but the majority of people including her own family see her as an ordinary, rather weird girl. She does have the obligatory good-but-not-too-competent isekai companion though.
You read a lot of manga where the heroine/hero can make a lot of stuff just because they saw it on TV once, but Main doesn’t have it that easy.
The art is excellent and the little children are drawn suitably adorable. The food looks great too. I know there’s a web novel, but the manga is so cute and clear and easy to follow that I have zero desire to try the WN.
The pace is relatively slow and there’s no real story so there’s plenty of time for world-building. You get to know a lot about how the city is run, how society is organized, how people relate to each other, etc. It’s very down to earth and interesting if you like to get immersed in fantasy worlds.
I learned a lot about making paper from scratch by reading it. That should come in handy if I ever go to another world, right?

What’s not so good about Ascendance of a Bookworm

It’s ridiculous how few people are suspicions of Main’s true identity once she starts making paper. It’s an extremely convoluted process requiring very specialized tools and materials and yet she knows all of them and all the right proportions? At only 6-7 years old? No one gets suspicious and starts fishing around when a kid that young starts going in and out of various workshops under Benno’s guidance, ordering this strange item and that? The world is a little too idealistic. The adults are a little too conveniently dense.
The world-building gets a bit too much sometimes. Half of the chapters are devoted to long treatises on how the city works, politics work, business work, etc. It’s interesting at first but later on it gets in the way of plot progression.
There’s a long slowdown between Main being diagnosed with consumption and any further advancement being made in her treatment. Then another long break before a more permanent solution (joining the church) comes along. Some of that time is taken up by the paper-making process, but there’s still a lot of dead time spent on stuff. I know it’s a slice of life kind of show but it gets a bit tiring anyway.

TL;DR

Ascendance of the Bookworm is good and I want more!